How to cite this article: David Flusser, “A New Portrait of Salome,” Jerusalem Perspective 55 (1999): 18-23 [https://www.jerusalemperspective.com/6041/].
Salome’s image has been obscured and marred due to the personas created for her by writers of the past 150 years. Salome is famous for the part she played in the execution of John the Baptist. Since 1863, she has been depicted in books and films as morally depraved. Diligent research reveals, however, that the real Salome is much different than popular portrayals.
The paradoxes begin with the fact that her name does not appear in the Gospels. We know her name from Josephus’ account of the story (Ant. 18:136-137) and from the coin that bears her portrait—incidentally, hers is the only portrait of a person mentioned in the Gospels. Another paradox is the distortion of her story in modern literature and art.[1]
Premium Members and Friends of JP must be signed in to view this content.
If you are not a Premium Member or Friend, please consider registering. Prices start at $5/month if paid annually, with other options for monthly and quarterly and more: Sign Up For Premium
Notes
- See the entry “Salome” in Encyclopaedia Judaica (Jerusalem: Keter Publishing House, 1972), 14:689-691. ↩
![David Flusser [1917-2000]](https://www.jerusalemperspective.com/wp-content/uploads/userphoto/21.jpg)
